Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 1 foreground - ‘Untitled: Live Video Interaction. Exercise 1’ S-Vhs, Video documentation of a performance collaboration with a mobile tv crew, from the 2e Recontre International d’art Performance, curator R. Martel, Quebec in 1996. Duration 25 minutes plus. 1996
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 1 foreground - ‘A perimeter, a futile exercise in cartography’ A sculptural installation with audio, featuring a reading by Elisa Nocente of an extract from H. Marcuse’s ‘An essay on Liberation’. Recorded on a quarter inch reel to reel tape, looped, and played back across a system of reel-to-reel players. Accompanied by a repair kit mounted on a plinth, comprising a splicing block (last used to edit an omnibus edition of ‘the Archers’ in the early 1980’s, blade, tape and note. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 1 - ‘21 Variations’ A series of textual and pinhole photographic documentation recording the responses of invited individuals to a previously undisclosed question.
21, 16 x 12inch framed Silver Gelatin Prints. Edition of 5. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
‘Star Dust: Prototype Death Chair’ The ashes of beloved cat applied (by Deirdre McKenna) to a stretched and primed linen (by Millikin Bros). Unique 42 inches in diameter. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 1 ‘…not (a) beginning …’ Temporal Trans-(instal)-lation, red and white wall painting, dimensions variable. Text, extracted from its intended context and re-presented as new. Edition of 5. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 1 foreground - ‘A perimeter, a futile exercise in cartography’ A sculptural installation with audio, featuring a reading by Elisa Nocente of an extract from H. Marcuse’s ‘An essay on Liberation’. Recorded on a quarter inch reel to reel tape, looped, and played back across a system of reel-to-reel players. Accompanied by a repair kit mounted on a plinth, comprising a splicing block (last used to edit an omnibus edition of ‘the Archers’ in the early 1980’s, blade, tape and note. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 2 ‘preparation for and anticipation of’ A 12 minute action with an Electrosonic ES3601 Presentation Unit, two Kodak carousel projectors, a section of 16mm leader, and a 12 minute endless audio cassette. Dimensions variable. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 2 -‘Stopping the spots’ A series of 13 archival C-Type Lighjet, reverse mounted onto 4mm polished acrylic, with 4mm white acrylic behind. 13, 6 x 8 inches. Edition of 5. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 2 - ‘Untitled: table & chair exercise 9.1’
S-Vhs (copy) single channel video (U-Matic) video installation with audio, of an action to camera with a tables and chair. Duration approx. 20 minutes. 1995
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 2 ‘preparation for and anticipation of’ A 12 minute action with an Electrosonic ES3601 Presentation Unit, two Kodak carousel projectors, a section of 16mm leader, and a 12 minute endless audio cassette. Dimensions variable. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
‘tergo fenestram - blind’ A series of 11 Silver Gelatin Prints, mounted on Aluminium. 11, 16 x 12inch. Edition of 5. 2014
Intuitive Actions, Common Attributes and Isolated Incidents
Installation view of gallery 2 ‘preparation for and anticipation of’ A 12 minute action with an Electrosonic ES3601 Presentation Unit, two Kodak carousel projectors, a section of 16mm leader, and a 12 minute endless audio cassette. Dimensions variable. 2014
The exhibition is composed of 12 new and re-presented works.
Reviewed by Slavka Sverakova